Note: This review is being put out before the final episode of the series airs.
For the past few years the question has been asked, "what will HBO do without "Game of Thrones" to fall back on?" Gone are the days of "The Sopranos" and "The Wire," and the channels new boy "True Detective" had its second season panned by many critics and audiences. "Game of Thrones" has been their ace in the hole for six years, a beloved series based on strong source material. While the company has found recent success with shows like "Silicon Valley" and "Togetherness," they need something new to get the blood pumping. But out of nowhere, we get something extraordinary. "The Night Of." Based off the British series "Criminal Justice," HBO has crafted a gritty and detailed look at the American justice system that has enthralled fans like no show we've seen since the first season of "True Detective."
For the past few years the question has been asked, "what will HBO do without "Game of Thrones" to fall back on?" Gone are the days of "The Sopranos" and "The Wire," and the channels new boy "True Detective" had its second season panned by many critics and audiences. "Game of Thrones" has been their ace in the hole for six years, a beloved series based on strong source material. While the company has found recent success with shows like "Silicon Valley" and "Togetherness," they need something new to get the blood pumping. But out of nowhere, we get something extraordinary. "The Night Of." Based off the British series "Criminal Justice," HBO has crafted a gritty and detailed look at the American justice system that has enthralled fans like no show we've seen since the first season of "True Detective."
Nasir "Naz" Khan is a college student living with his parents in
New York. Naz is a smart, but somewhat nerdy kid who has never been part of the
popular crowd. One day he's invited to a party out of the blue by a member of
the basketball team whose teammate Naz had been tutoring. Not having a ride, he
decides to take his dad's taxi. While out a young woman gets in the cab thinking that it's in service, and
Naz decides to drive her to her destination (the river). Once there he takes a
pill she gives him, they then to head back to her place where the drink,
do some more drugs, and play a game that involves thrusting a knife between
their fingers. The two proceed to have sex, shortly after Naz falls asleep. He
wakes up, gets his clothes, and then discovers the young woman butchered in her
bed. He freaks out and runs, taking the knife they used in the game since it
had her blood and his prints on it. He gets back in his dad's cab and drives
off, and is then picked up by the police for driving erratically. Scared to
death and carrying a weapon, Naz realizes that his life could be destroyed due
to one night that he barely remembers.
The first time I heard of "The Night Of" was about a week
before its first episode aired, with one critic calling it a tour de force; the
last time I heard an HBO series called that was the first season of "True
Detective." So even before I watched the first episode I was excited, but
after watching the first episode I was floored. "The Night Of" ranks
as one alongside one of the best miniseries I've ever seen. Straight from the
get-go, you can tell this show is something special. From the beginning,
"The Night Of" is TV storytelling at its finest, and it uses its
miniseries status to its finest. The show never outstays its welcome, and uses
every minute of its eight episodes to their fullest. The plot is a fascinating
and intriguing mystery filled with twists and turns, and you're never sure what
is going to happen next. The writing and dialog is also top notch, miles ahead
of most shows on TV. I wouldn't be surprised if we see the series receive some
writing awards later this year. The show also touches on a variety of complex
themes, and takes an in-depth and critical look at how the US justice system
operates; while being particularly critical of how the US correctional system
could turn petty criminals, or even innocent people, into much more severe
criminals. I also need to give a shout-out to the actors, all of which, from
the stars to the supporting characters, do great jobs. It also helps that the
characters they play are so fascinating. Each is unique, well written, and
layered. And as with all HBO series, the production and design is top notch;
the sets, the editing, and just the attention to detail in every aspect of
production. But looking at the show as a whole, the real star and shining
beacon was Steven Zaillian. Zaillian co-created, co-wrote, and directed
the whole series (except for episode four which was directed by James Marsh).
I'm not sure what time of black magic Zaillian put to use to make this
show so good, but I'm glad he did. Zaillian writing and directing for every
episode was great, and likely has an Emmy in his future. But to give credit
where credit is due, Richard Price also deserves a ton credit. Price was
the other co-creator and co-writer, and his work with Zaillian was
incredible. Those two make an exceptional pair, and brought this
beautifully well done TV world to life. "The Night Of" is TV at its
finest, and a perfect example at why I believe TV is the best now that it has
ever been. If I had one criticism of the season, it would be that it does slow
down to crawl every once in a while. But other than that minor gripe, "The
Night Of" is truly, and simply, exceptional. And of anything, it is proof that HBO will never run of of great new shows,
Pros: Exceptional storytelling, fascinating and intriguing
mystery filled with twists and turns, several great performances, unique and
layered characters, critical look at the US justice system, touches on complex
themes, great writing and dialog, top notch production and design, fantastic
writing and dialog, award worthy direction from Steven Zaillian.
Cons: Slows to a crawl at times.
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